By virtue of this science the poet is the Namer, or Language-maker, naming things sometimes after their appearance, sometimes after their essence, and giving to every one its own name and not another's, thereby rejoicing the intellect, which delights in detachment or boundary.
The poets made all the words, and therefore language is the archives of history, and, if we must say it, a sort of tomb of the muses for, though the origin of most of our words is forgotten, each word was at a stroke of genius, and obtained currency, because for the moment it symbolizes the world to the first speaker and to the hearer.
The etymologist finds the deadest word to have been once a brilliant picture. Language is fossil poetry. As the limestone of the continent consists of infinite masses of the shells of animalcules, so language is made up of images, or tropes, which now, in their secondary use, have long ceased to remind us of their poetic origin. But the poet names the thing because he sees it, or comes one step nearer to it than any other. This expression, or naming, is not art, but a second nature, grown out of the first, as a leaf out of a tree.
What we call nature, is a certain self-regulated motion, or change; and nature does all things by her own hands, and does not leave another to baptise her, but baptises herself; and this through the metamorphosis again.
Ralph Waldo Emerson: Essays: Second Series [1844] The Poet
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